Yet, embedded in the recognizable landscape are symbolic elements that infuse the scene with additional meaning: on the left side of the road, hanging on the storefront of Joe’s Garage is a sign that reads “666,” a number often associated with demonic forces.
Among discarded tires on the far right side of the painting is an abandoned piece of machinery with “Jesus Saves” scrawled across it, barely visible behind a sign for Hattie’s Hut, a honky-tonk where truckers are invited to enjoy the “dine and dance” on offer. Continued
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