(NYTimes) … To call “The Highwaymen” revisionist — or even reactionary — would be an understatement. This retelling of the Bonnie and Clyde story is not content to posit that those two Depression-era outlaws got what they deserved when they died in a hail of bullets on a Louisiana back road. It has a sackful of bones to pick with the modern world as a whole.
Violent criminals are a problem, yes, but so are movies, airplanes, car radios, women in politics, newspapers — you name it. If Grandpa Simpson could figure out how to get himself a Netflix subscription, this movie would be the whole algorithm. I’m here to say I didn’t entirely hate it.
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